Six months in, still using it weekly
That is the real review.
“Six months in, still using it weekly. That is the real review.”
“No fluff. Pick song, pick gear, get numbers. This is how software should be.”
“Cheap enough that I stopped thinking about whether it was worth it. It just is.”
57 records in the library, each one checked against published sources for the guitar, the amp and the pedals, and clear about any part of the rig that was never documented. Then translated to whatever you own.
Scooped mids, razor-tight palm-muted chug
James Hetfield's Jackson King V through a Mesa/Boogie Mark IIC+ used as a preamp into Marshall heads and 4x12 cabinets, recorded with Flemming Rasmussen at Sweet Silence Studios in Copenhagen
Singing neck-pickup lead with silky sustain
Slash's Les Paul into the Marshall JCM800 2203 modified by Frank Levi and known as #34, the amp behind his tone from Use Your Illusion onwards, with the solo worked up from an improvisation
Glassy in-between Strat quack, fingerstyle snap
Mark Knopfler's 1961 Fender Stratocaster with its three-way selector jammed between two positions, into a Fender Twin by his own account, recorded at Basing Street Studios in London in February 1978
Rated 4.7 out of 5 from 73 reviews. A few of the recent ones:
That is the real review.
Bedroom volume settings are a separate problem and this actually accounts for it. Everything else on the internet assumes you can push a 100 watt head.
I run a small guitar shop and I show this to customers who are stuck between two amps. It explains the difference better than I can in a busy shop.
Got a proper Peter Green out of position tone out of a fairly ordinary Epiphone. Still slightly shocked.
It just is.
The gear pages have real specs on them now, wattage and speaker and all that. I used one to decide which amp to buy secondhand.
What players said after running a match on their own rig
73 reviews, showing the latest 12